Showing posts with label haunting. Show all posts
Showing posts with label haunting. Show all posts

Monday, 29 October 2018

🐣 ISAK THOMAS — SOMEWHERE, SOMEHOW

⌾ LISTEN TO ISAK THOMAS, SOMEWHERE, SOMEHOW ⌾

With a feeling like being invited into the worn pages of a diary tinged with VHS static, 'Somewhere, Somehow' beats with a soulful horizontal heart. Sweeps of warped guitar play somewhere between a dripping bleak-empty coastal town and late night psychedelic bedroom introspection as lyrics float by haunted by the shade of a person, all set to the buzz and thump of a disintegrated beat.

"Lo-fi sounds from old jazz standards to acoustic folk and blues has always been a huge inspiration," trackmaker Isak Thomas explains over email, "so I was aiming to bring that nostalgic, scratchy sound to a more accessible platform."

And after a crescendo of crushed guitar sounds and vocals interrupting themselves in mantra form – "I know you from somewhere somehow / I know you from somewhere somehow" – sun breaks through swirling clouds for the final third of the song, the groove changes tack and jagged chord progressions streak in.

Isak Thomas' well dusted time capsule of a track, an opened Pandora's box of desire and apprehension, presents a crowded mind carved into a love letter destined for another realm.


  • 🔔 You may purchase 'Somewhere, Somehow' by Isak Thomas via iTunes should you wish to do so. Or if Bandcamp is more your thing then you can grab it from there, too.


📠
Isak Thomas Internet Presence ☟
facebooksoundcloudbandcampinstagramspotify


Thursday, 13 August 2015

AUSCULTATION – PROMISE YOU'LL HAUNT ME

We begin weaving this basket of words housing our morsel of music for the moment with a smidgen of etymology. Auscultation comes from the Latin word "auscultare" which means "to listen" and refers to the practice of listening to the internal sounds of the body. Whilst less familiar with this more technical term, you will probably know what a stethoscope is; long-named French man René-Théophile-Hyacinthe Laennec invented this instrument in 1816. Apparently the practice of listening to body sounds (lungs, heart, intestines, etc.) has been mentioned in ancient Sanskrit texts, and was also used by ancient Greek physician, Hippocrates.

But enough of this. You'll know it all if you're a medical student and if you're properly interested in getting the meaning of everything you stumble upon, like YES/NO is, you'll google it, right? Whatever. It's time to talk about the musical, non-medical Auscultation and his track 'Promise You'll Haunt Me'. True to its name, there is a definitive feeling of otherworldliness here, of waking up past midnight with your digital clock flashing next to you and a stomach churning sense of the barrier between the realm of the living and the dead oozing and deteriorating, the sweat of spooky summer nights, that monumental feeling of mere minutes seeming to be hours as you wait for something to appear, eyes wide and strained into the heavy glowering pitchblackness of your bedroom.

This sound is in the gently decayed ectoplasmic merging synth chords, pulsating through a hypnotic series of loops whose progressions are joyful yet jarring, relaxed yet maniacal – the nightly breath-hold anticipating a sojourn from a spirit, a mix of curiosity and sustained terror, of happiness and regretful longing. Robust bass columns in beneath, matching the chords, soon joined by thudding kicks, lo-fi muted handclaps, and nocturnal spookily jangling clanks of cymbals, not to mention the high register chirruping melodies that shine lifee-giving and springlike in the more regular chord progressions. But there is an intermittent switching between these "regular" sections and parts that exhibit a slightly more unhinged collection of chords, clouds of shuddering fear or dreadful anticipation in this general blue sky of happiness, heart flutterings as the door creaks, or something taps on your window.

The aesthetic of this track, a sort of half-submerged quality that gives everything a warm veil of misty fuzz, serves to add to the idea that its title suggests, a semi-decayed veneer that speaks of nostalgia and bygone, happier days. Whatever its connection to its title, whether the title came after the music or if its sound was inspired by those words, it remains an arresting, intriguing track that nevertheless speaks of phantomatic trysts, longing and loneliness after death, love crossing the gulf between here and the unknown.


  • 'Promise You'll Haunt Me' arrives as the first track from Auscultation's cassette release on 100% Silk due tomorrow, 14th August, called L'étreinte Imaginaire ("The imaginary embrace" in English). Track titles continue a theme of emotivity — Side A: 'Drop Off', 'Black Window', 'Composure Fog'; Side B: 'Vanda', 'Stranded Love', and 'Lost You In The Fog'. You can get it here (click).


Auscultation Social Media Presence ☟
SoundCloudTwitter


Thursday, 24 July 2014

IN LOVE WITH A GHOST FEAT. ECHO – FUSIONAL

I dunno how or I can't remember how I stumbled across Parisian singer-songwriter ECHO – it was a while ago. I followed her on Twitter, occasionally checking her SoundCloud; all I know is that she's good. For instance, you may want to check out her Midnight Chronicles EP, released recently on French label Cosmonostro.

Called 'Fusional' it is a creation of fellow Parisian In Love With A Ghost, a purveyor of substantially chilled sounds – as you can instantly tell from the endlessly arpeggiated harp sounds at the beginning of this track. But as soon as the robust beat drops, thick with bass and the crack-rasp of snare, it becomes a different beast: an odyssey of cool plucked ambience, like a fresh breeze, paired with the stifling heaviness of trap-inspired beats, a soothing yet spooky adventure through musical phantasms.

And of course there is the voice of ECHO, singing with an endearing lilt and layered with a pitch-shifted equivalent that follows her like a murky shadow. Her brisk delivery has an almost rap-like air to it, following a simple melody, evoking calm-faced ghosts singing with otherworldly beauty; it's hard not to like the way she sings "So many clouds above me…" or "I want to free myself from this / I'm so in love with a lie" – and with that sludgy low-end doppelganger layer almost growling beneath, it's perfect for this track.

It comes from In Love With A Ghost's aptly named Love Ghost EP, something that lives up to its title – in the same way that 'Fusional' does it, these four songs demonstrate not only phantomatic vibes but also those of styles often used in songs of love and lust, think R&B slo-jams distorted, played backwards through haunted apartment blocks, and you're pretty much there. It feels sad, but it also feels accepting of that sadness – a nice mix.



Like In Love With A Ghost on Facebook
Listen to In Love With A Ghost on SoundCloud
Hear more In Love With A Ghost on Bandcamp
Visit In Love With A Ghost's official site
Follow In Love With A Ghost on Twitter
Check In Love With A Ghost on Tumblr

Like ECHO on Facebook
Listen to ECHO on SoundCloud
Check ECHO on Instagram
Follow ECHO on Twitter
Visit ECHO on Tumblr
Watch ECHO on YouTube



Monday, 10 February 2014

YES/NO GUEST MIX 006 :: N-QIA

I first came across dynamic duo from Tokyo, N-qia, in the second part of last year. And it wasn't just their music; they'd teemed up with Russian music-maker Neeva on his Even If… EP for the song 'One Day'… then came their clatteringly beautiful songs for their latest album Fringe Popcical. They've, since then, intrigued me with their haunting style – Nozomi's vocals floating free and faraway; the electronic yet organic acoustics of Takma's (also known as Serph/Reliq) soundscapes. They were first inspired to create music together by "Sci-Fi films" and "X zone experience" – whether the latter refers to a super-scope game for the SNES called X-Zone, I don't know.

Now... a while ago they were kind enough to create a handmade mix for YES/NO, consisting entirely of handpicked parts of the N-qia back-catalogue in a whirlwind of experimental noise, electronic apparitions and beautiful melodies. So at the same time as saying THANK YOU to this super-cool duo, I'd also like to introduce you – whoever's reading this – to half-an-hour of hauntingly pretty stuff, mixed especially for your ears this fine day.


TRACKLIST
  1. 'Fearless' from Audio Illustrations (Bunkai-kei Records)
  2. 'One Day (ft. N-qia)' from Even If… by Neeva (Ritmo Sportivo)
  3. 'Ivory (Alter mix)' from Audiokult Winter Compilation 2013 (Audiokult)
  4. 'Sands' from Daybreak (elementperspective)
  5. 'Lafunk' from Fringe Popcical (Virgin Babylon Records)
  6. 'Earth' from Audio Illustrations (Bunkai-kei records)
  7. 'Sunshine-Mix' from Fringe Popcical (Virgin Babylon Records)
  8. 'Vinci' from Fringe Popcical (Virgin Babylon Records)
  9. 'Sailor' from Fringe Popcical (Virgin Babylon Records)
  10. 'Microfolk' Fringe Popcical (Virgin Babylon Records)
  11. 'Kaleidoscope' from Kaleidoscope (KUGK Musique)
  12. 'Lost' (Go-qualia In The Beginning Mix) from Audio Illustrations (Bunkai-kei records)
  13. 'Chooseone' from Fringe Popcical (Virgin Babylon Records)


Like N-qia on Facebook
Listen to N-qia on Soundcloud