Showing posts with label boogie. Show all posts
Showing posts with label boogie. Show all posts

Thursday, 6 November 2014

CARMELLE (HALCYON TONE) – WET DREAM

Not only do I fucking love this, it also has a brilliant concept. A really fun concept. Whilst on the surface of things it seems to be created by Carmelle, it's actually not as it seems. Ostensibly, Carmelle is a "Minneapolis Funk veteran" who, for the creation of this track 'Wet Dream', "hired a variety of local musicians in his adopted home of Lisbon to bring an uncharacteristically frantic pace to this, his biggest release as an expat."

It is pure fantasy. Carmelle, and in fact every artist featured on this compilation by Halcyon Tone, Halcyon Tone vol. 1: Reflection – yes, even "Yugoslavian-Italian songwriter and record producer" YUNIX – is a fabrication. Explaining themselves, the duo that is Halcyon Tone say: "Many concept albums have been written from the POV of some alter-ego, but Halcyon Tone have invented an entire roster of imaginary and often eccentric artists in order to express their eclectic (and electric) musical impulses."

It's all part of the entertainment, this total immersion in an imagined retro world, with characters as big and bold as any real life star of yesteryear. Rather than be inspired by retro things, be a modern-day person and make music that sounds like old stuff, why not create a whole universe of characters who actually existed back then, and whose music can be retrospectively re-discovered or posthumously released. The possibilities are infinite.

I wish I could write about all of these tracks but I'm afraid I would, uh, gush. Yes, that's the right word. I'd gush. So I'll just mini-gush about 'Wet Dream' (sounds wrong, sorry).

It is a vigorous disco-leaning, boogie-conjuror of a track, bumping forward with robust bass and a brisk jogging beat with supershaker hi-hats; punctuated with sparkling synth chords, delicate and subtle, joined by a different progression towards the end, played this time with a breezy organ. The verse holds in it a simple 3-note synth melody, supporting the vocals, which are incidentally the best part of this track; sung in falsetto and totally aware of how to make everything catchy, they ring with ecstasy and romance and I cannot get the chorus hook "Not a day in my life goes by / When I'm not thinking of you" out of my head. The lyrics are also incredible, full of rich, youthful imagery (you can read them all here). I am in love with this song and you could be, too. Just too damn charming.

I can't say anything else except that this is extremely interesting for me. I love the sounds, I love the concept, aesthetics. I guess I could say that Halcyon Tone are a duo, Josh and Chris, and they are based in Tokyo.

  • Please, please, please, please, please do yourself a favour and have a listen to Halcyon Tone Vol. 1: Reflection
  • Fun fact: you ever heard the term 'halcyon days'? Like a wordy way to say 'good old days'. But it comes from the Greek world for kingfisher, halcyon, which would often appear in late summer, thus cementing the term 'halcyon days' as reminiscent of very nice warm days of summer.



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Saturday, 13 September 2014

Y/N GUEST MIX 015 :: JOLLY MARE

I saw a person on Twitter like last week say something like, "There are too many mixes therefore they are obsolete" – when questioned they cited "inflation" but I think they meant "saturation" maybe. Anyway, it's a ridiculous statement: replace "mixes" with any other thing of which there might too many or too much – food, videogames, paintings – and you can see how. I just thought that would be a nice thing to say cause, like, here's another mix. But I'd really hate to be the one to push you over the edge, so if you think you've heard one mix too many, then go take a cold shower, talk it through with a loved one.

This guest mix is from Fabrizio Faberismi, aka Jolly Mare: an Italian DJ, producer, and a participant in the Red Bull Music Academy 2013. I've also read that he has a PhD in Vibration Dynamics, something that led me to stare at gifs of wobbling catilevered L-beams on the wiki page for 'Vibration'; this might be why in an email he sent to me he described himself as "Something in between a gone-bad scientist and a musician." He also loves old music, and if this mix is anything to go by it's obscure old music in particular that is his penchant.


I got good taste in music

Self-confessedly inspired by a "groove, any kind of" when it comes to his own music, it also seems to lead his choices for this wondrous guest mix, itself a lil' under half-an-hour of groovesome entities. Mostly taken from the 1980s, and most you've probably never heard OF let alone actually heard, it runs from the sultry 'Marinero' by Spanish singer Lucía who also provided the Spanish entry, 'Él', for the 1982 Eurovision Song Contest, held in the UK at Harrogate (really weird choice), to the synth-disco of 'Histoire D'un Soir' by Bibi Flash, aka Brigitte Gasté, a French singer active in the '80s. The song really really sounds like Blondie's 'Rapture' – mainly in the rap-singing, the bassline (almost note-for-note), etc.

"There is some freakness in every one of them," says Jolly Mare of the tracks in the mix – and it's true: from the first vital, note-hopping bassline of 'Use My Body' by the unknown Mavis John, through the stretched out, night-anticipating 'Sunset' (L33 and Sven Atterton) and the effortlessly cool remix by Luke Million of The Swiss's summery 'In The City', to the Italo disco of Big Ben Tribe's 'Tarzan Loves The Summer Nights' and the indefatigable soulfunk of 'Better By The Minute' by unlocatable group Glass Pyramid, it's an amalgamation of genres and styles that basically utilise "freakness" as their foundations, namely funk, disco (regular & Italo), soul, boogie, R&B.

What does it demonstrate? "That I got good taste in music," replies Jolly Mare. I mean, well, yeah, these are good songs. And for those of you who are looking for some obscure tracks to boogie the fuck on down to, chill to, do your taxes to, stir fry some noodles to, fix that thing in your car to, clean your living quarters to, whatever to, then don't worry cause this crate-digging mix has done it for you.


• T R A C K L I S T •
  1. Mavis John - Use My Body (1980)
  2. L33 & Sven Atterton - Sunset (2013)
  3. Lucía - Marinero (1986)
  4. The Swiss - In The City (Luke Million Remix) (2014)
  5. Desi - I Want To Be With You (1984)
  6. Gladys Knight & The Pips - Save the Overtime (For Me) (1983)
  7. Big Ben Tribe - Tarzan Loves The Summer Nights (1984)
  8. Bibi Flash - Histoire D'un Soir (1983)
  9. The McCrarys - Love On A Summer Night (1982)
  10. Glass Pyramid - Better By The Minute (1984)


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