Showing posts with label black and white. Show all posts
Showing posts with label black and white. Show all posts

Tuesday, 15 August 2017

🐣 SHIGETO — DETROIT PART II

Four years following the release of previous album No Better Time Than Now, Shigeto has produced a follow-up to 'Detroit Part I', an almost symphonic morsel of music, a journey of a track in which a brooding atmosphere is beset with bristling sounds, a melancholy atmosphere where a sense of downcast dystopia looms somewhere in the lament of it all. 'Detroit Part II' is a different beast entirely. If the first part of this sonic homage to the Michigan city charts abandoned buildings and boarded up houses and forgotten assembly lines, the dereliction of Detroit, all angular and atmospheric, then the second part is humanistic, living-and-breathing, focused on how people react to their surroundings in terms of art: its musical culture and heritage.

The track thumps along with a dusty wheezing organic thud of a kick, luscious handclaps and muffled snare rimshots and delicious clopping woodblocks and shuffling shakers punctuating and decorating this subtle driving force of a beat, a tangible waterfall of textures. Soft synth bass plunges fuzzy giving the track a wandering breezy groove, the meandering jazz feel of it augmented by saxophone peals that prize open the heart of the song and allow life to flow forth. Barely discernible, a mist of gentle keys gloss glassy nebulous aching and accepting, merging with the whispering tones of the vocal sample that reverbs into the streaming percussive beat and its homely comforting sense of space. This is a change of heart, the silver lining of the cloud, the other side of the coin.




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Tuesday, 17 December 2013

TOYS HEY BOY [VIDEO]

It's been a while since I wrote about Paris duo TOYS – the last time, in fact, was when they were kind enough to agree to an interview, back in June. Around the same time, TOYS shared a video for their new-at-the-time track, 'We Are' – an epic track with an equally epic, and strange, video that followed a strange guy who was seemingly able to bring people back from the dead. Before that, way before that, their song 'Noise' entered my ears and never left: it's still one of my favourites (and I urge you to check it out, too).

Just a little bit over a week ago, the duo were at it again – this time far from their native Paris. Filmed in New York City, their new video – for a song called 'Hey Boy' – showcases various yet connected subcultural pursuits of the city, namely: street art, skateboarding, basketball and breakdancing. All in glorious black and white, filmed up-close-and-personal to its participants, we have director Louis de Caunes to thank for this visual treat. For the music, however, we of course must look to TOYS themselves.

Beginning as a dreamlike trickle of haunting sounds, including a hugely glossy column of sub-bass surging its way through everything, the song soon gets an understated R&B-flavoured beat to drive it forward, complete with sandlike hi-hats and popping-gunshot snares. Vocal samples, from where I dunno, are rhythmically dropped into the song with increasing frequency as wide synth chords build up and up, joined by shots of sharpened electro buzz-bleeps. Everything becomes increasingly distorted by these all-engulfing synths, sounding like a white noise organ with a subverted atmosphere of urban consecration. With its laid-back yet intense atmosphere, 'Hey Boy' provides the perfect soundtrack to the city-based pastimes you see in its video, mirroring the frustrations and determination you can see on the faces of the video's protagonists. I want to hear and see more from these guys.

NB. The video, as nice as it is, has already racked up over 30,000 views in a week AND has been featured on Vimeo as one of their staff picks. Nice going!



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