Showing posts with label Vulkano. Show all posts
Showing posts with label Vulkano. Show all posts

Friday, 7 February 2014

LAZY INTERVIEW #22: VULKANO


← #21: DCUP #23: HARRISON →

Meet Vulkano. Do you know them? It's ok if you don't. But perhaps you should. They inhabit a strange esoteric area of music, a kind of mystic post-punk – a Swedish girl duo who screech and sing and howl, pogo-stick with whirling energy and bash the spirits out of drums: all with visceral intent. Formerly members of Those Dancing Days, this week (3rd Feb) they released their debut album, Live Wild Die Free. It's a journey through forests, crepuscular creepings, rites of nature, cold and spooky atmospheres cradled in raw craggy basslines and frenzied drumming, as synths float like mists and farflung vocals hold your attention with their endearing high-pitched warcry tones.

But that's what Vulkano are like. Nature, love, friendship – these three things imbue their music as much as they do the people themselves. Having been making music for a long time, perhaps they feel that they have finally arrived at a juncture which allows them to couple their creative output directly with what their hearts feel. The energy of their music is overwhelming, the enthusiasm is evident; and (so I have heard) their live shows are, unsurprisingly, rather mad. Feeling the music is always a sign of a genuine love for music, however. Anyway. They were very kind in answering the YES/NO Lazy Interview, which is below.


Who are you? Where are you from? What do you do?
We are a two-girl band called Vulkano based in Stockholm, Sweden. We like to think we come from space and we are here to give music to the world. Cissi Efraimsson sings and plays the stand-up-drums and Lisa Pyk Wirström plays the keys and percussion.

Why did you decide to start creating music?
We got to know each other when we were 14 and we started to hang out because our biggest interest was music. We went to a lot of concerts and both of us thought it looked so much fun to be on stage playing for an audience and being on tour so we decided to start a band and since then we've played together. For us music is magic.

How would you describe your sound? What makes you and your style stand out?
Our sound is raw and filled with energy. It’s fun, primal and straightforward. We stand out because we follow our instincts and not any rules. When we play together it’s like the world around us disappears and we create our own crazy colourful creepy fantasy world. I think people can hear that in our music and like to be a part of it.

Is there a perfect time and place for listening to your music?
Under the full moon in the desert with a cold beer in your hand. You’re sitting in a nice chair in warm cloths with a home knitted blanket over you. You lay back, watch the stars and let the music take you out of your mind and out of your body.

What inspires you most when writing a song?
Nature, great songs, art, the superficial, volcanoes, other dimensions, colors, science fiction, space and life on Earth. We also inspire each other a lot. We are like ying and yang.

What is your most memorable musical experience?
God this is hard. Ok we’ll choose three.

  1. Our first gig with our first band called Her Peace. We were 14 years old and played at youth garden outside of Stockholm. Cissi who was the drummer played every song so fast. Lisa was so nervous so she had to skip school the same day. The gig went quite bad but the feeling after was something new. We totally felt like rock stars!
  2. Going to Japan to play with our previous band Those Dancing Days.
  3. Recording our debut album Live Wild Die Free in the nicest studio we’ve ever been to with the coolest people Patrik Berger and Nille Perned. The studio’s called Ingrid. It was three of our best days of our lives.
What are your favourite three songs at the moment?
  1. Julee Cruise - Floating
  2. Tussilago – The Sulfur, the Tar and the Smoke
  3. Talking Heads - This Must Be The Place
Who do you most admire in the music world?
We admire artists that go their own ways without compromising with their music and style. For example: David Bowie, Björk, MGMT, Siouxsie Sioux, Syd Barrett and Lykke Li.

In your opinion, what is the future of music?
Music is constantly changing. I feel like music right now is moving to a more electronic sound. I see a trend with less bands and more solo artists. More synth and more drums, less guitars. It also seems like indie bands and commercial bands sound more and more alike. I guess it has to do with that it’s so easy for anyone to learn how to produce music nowadays. I’m not sure I like this trend. I hope to see a much wider sound spectra in both electronic and “real instruments”. I also wish people will be brave and dare to make weird and different music. I don’t want commercial hit music to be the ideal for everyone.

What's the future of your music - what do you hope to do next?
The future of our music is to explore deeper parts of our creativity and come up with even better music and ideas. We don't want to be held back by anything, especially not ourselves. When we write new songs we are being totally open to whatever feels inspirational so that we don't risk losing anything on the way. We hope to tour around the world with our music. We recorded a psychedelic short film that will be released this year and we’d love to do more films beside of the music.

What, aside from music, is most important to you?
Love and friendship. It's important that we treat everyone the same and are open to whoever comes across our life paths.


As for Live Wild Die Free, perhaps you've heard 'Spider Spider', an eerie clanker of a song they offered up as a free download last Halloween, or maybe you've heard the epic wooded mystery of 'Vision Tricks' – both are a good indication of the album's proceedings. But it's more varied than you'd imagine from my descriptions – sometimes outright punk (as in 'Too Young To Die' with its mad screams of "Don't kill me! Don't kill me!"), sometimes gentler pop sounds, sometimes inspired by nature ('Jungle', for instance, which literally describes a trip through a jungle), sometimes not, sometimes noisy, sometimes stripped-down. But it's always a daring sound, sonically diverse and certainly appealing to anyone looking for a bit of energetic music in their lives.

You can stream the whole thing here.



← #21: DCUP #23: HARRISON →



Like Vulkano on Facebook
Follow Vulkano on Twitter
Listen to Vulkano on Soundcloud
Visit Vulkano official site


Thursday, 31 October 2013

VULKANO SPIDER SPIDER [FREE HALLOWEEN DOWNLOAD]

Hi everyone. Whoa. Feels like it's Halloween today? I'm sorry, I'm being sarcastic. It doesn't feel like it at all. I'm sitting looking out the window at a pretty dull day half-watching Russia Today considering a cigarette even though my mouth has been numbed by a too-strong coffee. In case you're wondering, I usually go for Al Jazeera but my TV has decided not to find it today - maybe it's a sign of Halloween after all. Halloween. Abby Martin certainly makes you think doesn't she?

Anyway, here is like, a Halloween treat or something like that. Maybe it's a trick. It's a bit of both. Rather than trick or treat it's more like "trick AND treat" (trick 'n' treat). Basically, it's by Vulkano and it's called 'Spider Spider'. Despite being trois mois old, this Swedish duo have given this song free download status for Halloween, something akin to offering up a virgin for sacrifice but with less gore and more music. I last wrote about these two - real names: Lisa Pyk-Wirström and Cissi Efraimsson - in July when their song 'Vision Tricks' sparked my interest; it called to mind the unnerving minimalism of The Cure's 'A Forest', complete with thick and rumbling bassline to add a bit of menace.

This song though is like a dark sound poem illustrating the movements or thought patterns of an actual spider. The dull thudding bass is definitely a spooky sound, almost like some homemade instrument made of human bones in a dodgy old shed in the middle of some overgrown garden of a derelict mansion. Or something like that. It's blissfully simple, following the same notes and patterns throughout, more like a creepy dance song than a pop song, the repetition like the frenzy of a cult-level mantra set to thumping kick drums, rolling toms and rattling-chain tambourines.

Cissi's vocals yelp in unaffected clarity, injected with the same passionate quirkiness that the music exudes. Opening, she sings, "I am out on spider hunt, I collect them, I collect them" - a line that drips with a light weirdness in which the rest of her lyrics are soaked. It's a fun song. Not pretending to be or even straying near the realms of "goth" or anything like that, it's interesting to see something music with such an unconventional spirit so near to pop - Vulkano recently went on tour supporting Kate Nash. Imagine that!

- - - - - - - - - - - - - - - - - - - -
Like Vulkano on Facebook
Follow Vulkano on Twitter
Listen to Vulkano on Soundcloud
Visit Vulkano official site

Wednesday, 17 July 2013

VULKANO VISION TRICKS [VIDEO]

Things don't always have to bright and sunny. Certainly not. Because they're not always bright and sunny; day gives way to night. It's normal yo. So a little bit of dark is alright sometimes. And in terms of sound too. If bright soundscapes give you images of melting endless summer days, dark ones evoke more shadowy or sometimes nocturnal scenery. Obviously.

As such, as the sun sets on another broiling hot day in South East England, the soundtrack for this still and twilit evening comes from Stockholm duo Vulkano. Comprised of Lisa Pyk-Wirström (keyboards/other things) and Cissi Efraimsson (drums/vocals), Vulkano's sounds in their song 'Vision Tricks' perfectly suit this time of day, when things can seem to appear from nowhere and glimmer in front of your eyes.

It's got the same darkly appealing atmosphere as The Cure's 'A Forest', but of course this is its own thing. It oozes an uncomfortable dark feeling without reverting to a wholly lo-fi sound as some who saunter down this route do, instead boasting an polished yet earthy pulse.

Listen to it via this video.

What you first notice is that bass. It sure is meaty. Gives just enough thickness of sound whilst picking out a melody, so heavy sounding that it could have been played on telephone wire for all I know. The melody harbours a grim edge and gives an impression of something foreboding, Nice nice nice. Its partner is a set of raw drums, who keep a steady beat throughout; snare rich and rattling, dull thuds for kicks. Later they roll and rollick in the choruses, provide a riotous clash of cymbals for the break. A strong foundation.

Cissi's vocals are yelping and affected, seeming to actually come as a warning - she even sings imploringly "I know it's out there..." (is it BOB?) There's something chilling about them, perhaps in the way that they echo starkly against the empty space in the song that's left over. Luminescent keyboard sounds that wail quietly all around appearing like kitsunebi (ghost lights), disconcerting fairy-lights. Altogether it's quite an enveloping sound.

It's actually their first ever ever single (from what I have yet to find out) and it's out officially on 29th July.

- - - - - - - - - - - - - - - - - - - -
Like Vulkano on Facebook
Follow Vulkano on Twitter
Listen to Vulkano on Soundcloud
Visit Vulkano official site