Showing posts with label Tokyolite. Show all posts
Showing posts with label Tokyolite. Show all posts

Saturday, 8 February 2014

TOKYOLITE COBA (HIROTO KUDO REMIX)

You're like almost always guaranteed some fun when it comes to the variegated artists that wade in the warm shade of Japanese netlabel Tanukineiri's umbrella. Taking a pun for a name ("feigning sleep" but also "sleeping tanuki" – hence the label's Tom Nook-esque mascot), they've slowly infiltrated the minds and hearts of many an underground artist and listener; not least this faceless entity of mine called YES/NO.

Moving on. Two artists affiliated with Tanukineiri have just collided in a rather spectacular fashion, or rather, many artists have collided with just this one in a remix extravaganza. Songs from the Hello EP by Indonesian band Tokyolite (I wrote about their song 'Yes! Dance!' last year) have been remixed every which way by 20 – yes TWENTY – artists, including 食品まつり a.k.a. foodman and mus.hiba to name a couple of those with whom I'm more familiar. One particular remix really stood out to me and it has been on a loop for about half-an-hour because it's one of those golden-sunlight tracks: you never want it to end.

Who's it by? Hiroto Kudo, that's who. I wrote about his song 'Magic Raincoat' at the height of last summer's heat and enjoyed his music very much. Now, confronted with this wholly awesome remix, I'm left gasping for breath as I watch the song tick away to its end before pressing play again. Taking the vocals from Tokyolite's 'Coba' (presumably named after the ruins of the Mayan city that go by the same name), Kudo twists them and squeezes them through his magical remix machine, giving them a multi-layered poignancy with their achingly delicious high-register and far-flung echoes above the spectral gusts of synth that whirl underneath.

The track cascades with sundrip bleeps the whole way through and is soon, which is set to a dubstep-flavoured beat swaying as if through a blustering torrent of pent-up appreciation for beauty. Explosions of fizzy white noise erupt around halfway through, giving the track an unprecedented rush of energy and an exciting booming dynamic: a surprise gift in a shower of presents. To create this different a song from the original – a Latin-like, funky number – is really impressive. Hiroto Kudo's knack for creating fresh music is nothing short of brilliant; so I'm, and you should be too, expecting even more great things from him in the future.

Grab the remix album Tanukineiri Sometuke Series Vol. 1 ~ TOKYOLITE ~ for basically free or pay what you want



Listen to Hiroto Kudo on Soundcloud
Listen to Cajits on Soundcloud
Follow Hiroto Kudo on Twitter
Check Hiroto Kudo on Tumblr

Like Tokyolite on Facebook
Listen to Tokyolite on Soundcloud
Hear more Tokyolite on bandcamp
Follow Tokyolite on Twitter
Watch Tokyolite on YouTube



Friday, 24 May 2013

TOKYOLITE YES! DANCE!

The exuberant sounds of young Indonesian trio Tokyolite came to me via email from the band themselves, which was jolly nice of them indeed.

The song that struck me most was 'Yes! Dance!' - mainly for it's unstoppable groove. Yes I like a nice groove, and when there are funk guitars and slap bass involved, it's even better. It's certainly a toe-tapper.

There are a lot of different styles thrown into the mix for this one, something that is sometimes a bit risky - mainly if you don't do it right. If you don't do it right, it can sound messy and nigh-on horrendous. Thankfully, Tokyolite have an good ear for sound and their subsequent mix comes out like a well-made cake: tasty.

So here's 'Yes! Dance!'

There's a kinda latin chord structure laying at the bass of everything here, coupled with the speedy drums it does give it a very 'Spanish' feel - the break down beginning "We will carry on..." brings a moody edge to the song, too. But there are also funk guitars in the chorus, coupled with a funky 80s slap bass, which is almsot a little Seinfeld - but then again, there's absolutely nothing wrong with that. I love Seinfeld.

There are even some happy-happy horns in the chorus, too, framing the catchy hook of it with an original, mixed-up-without-being-messy sound. The vocals, whilst perhaps not as in-keeping as they could be with the sound of the song (a little husky maybe; they could, for instance, be a little more lo-fi in their sound - a little more echo, a little less focus), nevertheless do have a nice melody about them that gives a pop feel to the song.

It comes from Tokyolite's latest Hello EP. These guys are yet another artist I have written about lately who are seeing the benefits of netlabels and free downloads - a 'creative commons' approach to spreading their music.

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Like Tokyolite on Facebook
Listen to Tokyolite on Soundcloud
Hear more Tokyolite on bandcamp
Follow Tokyolite on Twitter
Watch Tokyolite on YouTube