Showing posts with label Sardinian. Show all posts
Showing posts with label Sardinian. Show all posts

Monday, 2 February 2026

MORIMOTO NAOKI — INSIDE IX - CONNECTION

Stillness pervades 'Inside IX - Connection' by Japanese ambient musician morimoto naoki — the kind of stillness that could, on some days, invite a certain melancholy into the air. Instead morimoto's delicate soundscape, intended for listening within four walls (and ideally with a view), captures introspection that is calm over fragile, peaceful rather than close to collapse.

That said, the sounds that skip and chitter throughout this piece of music feel as though they could fit in the palm of your hand. We find toy-like scrapings and found-sound aesthetic, varying layers of background fuzz that shear through the dust of everyday silence like an old electric fan; high-pitched artificial beeps and electronic twangs add to the sense of miniaturised aesthetic.

Aside from casting a scale model spell on one's domestic surroundings, morimoto's guitar graces 'Inside IX - Connection' with half-tunes, melodies that never start, anti-refrains that in their simultaneous quietude and strong non-statement noodling elevate procrastination to a thing of beauty. We drift into his audio daydream, refreshed and ready for our own.



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Thursday, 1 October 2020

LIGETI QUARTET — S'ISCRAVAMENTU (COMPOSED BY CHRISTIAN MASON)

⌾ LISTEN TO LIGETI QUARTET, S'ISCRAVAMENTU (COMPOSED BY CHRISTIAN MASON) ⌾

The gales of sound in 'S'iscravamentu', conjured up by UK's very own Ligeti Quartet, are deep glowing squalls that dive into the dramatic scenery of Sardinia, its jutting outcrops, jagged coastline, carpets of macchia, ultramarine seas.

Concocted by English composer Christian Mason, the piece recreates the sea shanty-esque registers of Sardinia's own tenores — polyphonic folk singing that, uniquely for Europe, is actually a form of overtone (throat) singing. As such, Ligeti Quartet's treatment of Mason's reworking of this UNESCO-recognised folk music is necessarily rich and variegated.

Thick harmonies hang heavy in the air, and the scratch and staccato of the strings is resolutely tangible, but quieter moments see the instruments become thin, veils of sound lost in their own rapture of unnerving silent howls. The physicality of the instruments — their wood, the strings, the hands that play them — is such that you could imagine literally picking up and handling this music. It's that spirit of solidity that really reflects the resonant, guttural songs at the root of this composition.


  • 🔔 'S'Iscravamentu' is taken from Ligeti Quartet's debut album Songbooks, Vol. 1, marking their 10th year of playing as a quartet. It contains two vocal-inspired projects — one following the Sardinian cantu a tenòre tradition, the other Tuvan throat singing — composed for strings by Christian Mason. It also features one song originally by Nunavut singer and composer, Tanya Tagaq.

    Scheduled for release on 9th October via UK label nonclassical, you can pre-order Songbooks, Vol. 1 from Bandcamp now, or peruse the album tracklist below at your leisure.

    Ligeti Quartet — Songbooks, Vol. 1 tracklist
    1. Sai Ma (Racing Horses)
    Tuvan Songbook
    2. Dyngylday (Good-for-nothing)
    3. Eki Attar (The Best Steeds)
    4. Kuda Yry (Wedding Song)
    5. Ezir-Kara (‘Black Eagle’)
    Sardinian Songbook
    6. S'iscravamentu (Deposition of Christ)
    7. Ballate a Ballu Tundu (Dance a Circle Dance)
    8. Satiras (Satire)
    9. Muttos (Motets)
    10. Sivunittinni (The Future Ones) by Tanya Tagaq


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Ligeti Quartet Internet Presence ☟
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Christian Mason Internet Presence ☟
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