Showing posts with label Ryuichi Sakamoto. Show all posts
Showing posts with label Ryuichi Sakamoto. Show all posts

Friday, 23 April 2021

LUCRECIA DALT — COSA

Ryuichi Sakamoto, Visible Cloaks, Lucrecia Dalt et al. — PRSNT

⌾ LISTEN TO COSA BY LUCRECIA DALT ⌾

It may only be 32 seconds in duration, but ‘cosa’ by Berlin-based Colombian producer Lucrecia Dalt is a dense piece of music. The distant hum of a machine growls in the background, something continuously and secretly working — calculating, processing. The ambient fuzz of this hidden room gives Dalt’s micro-song a voyeuristic, or more correctly entendeuristic quality of listening to something obtained from a concealed recording device.

Knowing that the album from which 'cosa' is taken aims to be "a reflection of how we consume as a society today," the rasping sounds and wheezing organicity of it take on a more foreboding air. It's a chilling thought: the wonder, or worry, of exactly what it is you're streaming, liking and sharing.

Biomechanical insectoid clicking and fizzing constitutes a slow beat, synthetic but gruesomely organic; twice, like a dynamic cymbal, a screeching sound whips the air. A start-up sound gleams at the end — as if the tape were turned off at some crucial moment, or the recording device were discovered — and voices disjointedly murmur.


  • πŸ”” Lucrecia Dalt's track 'cosa' is taken from the collaborative album PRSNT. Also featuring 32-second tracks by artists such as Ryuichi Sakamoto, Visible Cloaks and more, it's scheduled for release on Barcelona-based label Modern Obscure Music. You can pre-order PRSNT on vinyl (black or white, shown above) or digitally on Bandcamp.

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Lucrecia Dalt Internet Presence ☟
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Thursday, 11 April 2019

🐣 KAZU — SALTY

⌾ LISTEN TO KAZU, SALTY ⌾


With its delicious blooping bumps of bass drum and pastoral soft sounds rising in thumb-daubed pastel arpeggios, 'Salty' is a mist of sea air, a coastal breeze, an idyll of freshness swirling around gnarled trees; it is also urgent, a bubbling of thoughts, gradually turning into something that feels almost panicked.

"hurry up" KAZU sings towards the end, whilst sounds become like short breaths, spots of light in your vision, being unsure where to look anymore. Cells vibrating like molecules.

That KAZU is Kazu Makino, co-founder of rock Blonde Redhead, and 'Salty' - so named for its cryptic and statemently loveable hook, "i bet you're salty" - is the first track to be taken from her upcoming debut solo album, Adult Baby.

With credits on the single a starter-pack rollerdex of names ranging from Brazilian percussionist Mauro Refosco to composing legend Ryuichi Sakamoto, the instrumental for 'Salty' is unquestionable. Plumes of lightness, trinkets of percussion, analogue loops and dives that breathe extra vitality into the track. Though KAZU, with her expressionist lyrics and distinctive, rounded tones, emotes enough for multiple lifetimes throughout.


  • πŸ”” 'Salty' is taken from the upcoming debut from KAZU, Adult Baby, which is set for release on Kazu Makino's brand new imprint of the same name later this year. It will be distributed by !K7, by the way.
  • πŸ”” The video for 'Salty', a concept of Makino herself, was directed, filmed and edited by Paride Ambrogi and Jonas Ranner in Elba, Italy.


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KAZU Internet Presence ☟
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