Showing posts with label Natural Plastic. Show all posts
Showing posts with label Natural Plastic. Show all posts

Tuesday, 25 June 2013

TOYS INTERVIEW

Firstly I would like to thank the guys from TOYS (or is it Toys?) for taking the time to answer the questions of my "lazy interview". It is very much appreciated.

ANYWAY. Yes, this time around it's Paris duo TOYS firing over their answers to my carefully constructed questions. After hearing and writing about their Natural Plastic EP last year, I was almost literally gobsmacked at their unknown-ness: they had a completely unique sound, coupling dirty beats and noises with aching-heart pop vocals and melodies.

Now, following the release of new song 'We Are', the duo's sound has retained those same sensibilities - rough, urban production, pop melodies, and a kind of retro nostalgia - yet with this song it's a richer, fuller sound. I suppose we will all find out how things have changed properly until their new EP release later this year.

For now, however, have a little read and find out what makes TOYS tick.



Who are you? Where are you from? What do you do?
P: I'm Paul, I'm from Paris and I'm a songwriter.

B: I'm Bastien, I'm from Paris and I'm a music producer.

Why did you decide to start creating music?
P: I started classical guitar when I was 6, then I discovered the piano and have been sticking to it ever since. I studied arrangements and music theory through jazz for years. Then Toys made me apply music theory to production work.

B: I started music as a DJ in the hip hop scene, this is how I got into music production. It became my job. I worked on others' albums first before focusing on the Toys project.

How would you describe your sound? What makes you and your style stand out?
B: We try to make a music that suits us, sounds from the past, a production a little dirty because I guess we like ghetto music, and dreamlike melodies showing our attachment to pop music.

P: Toys is one of these projects that intentionally uses a lot of codes and tries to get an original sound and identity out of the arrangements and the mix.

Although we are two to write and compose everything, we see Toys as a band. Electronic music can sometimes look and sound rigid and lifeless. This is why we like to use acoustic instruments too. On stage we play with 2 other musicians (rhythmic section) without whom it would be impossible to perform our songs.

Is there a perfect time and place for listening to your music?
While driving, in bed, at work, in the subway, in a club, we try to make a music that can be listened to anywhere..

What inspires you most when writing a song?
Difficult question. We like when music brings us into a nostalgic mood. This might be something that drives our songwriting.

What are your favourite three songs at the moment?
B: TGNHT - Bugg'n
Kendrick Lamar ft. MC Eiht - m.A.A.d City
Christine and the Queen - Loving Cup

P: S O H N - The Wheel
Kendrick Lamar - The Art Of Peer Pressure
Jai Paul - Jasmine

Who do you most admire in the music world?
Daft Punk for being able to make the whole world agree on their music, all generations considered.

In your opinion, what is the future of music?
En dépit de la crise du disque, nous pensons que les gens vont continuer à produire de la musique de qualité, et ca de plus en plus..

Despite the music crisis we are living in, we hope and believe that people will keep on producing quality music independently, more and more..

What's the future of your music - what do you hope to do next?
Our next EP in September and a tour to follow..

What, aside from music, is most important to you?
Our girlfriends, our families, our mates, bad jokes, good food, good movies, good daily moments we can share with people we like..



So there you have it. Two different people from different musical backgrounds making music together could go one of two ways I suppose: very bad, or in this case, very good. The mix of Paul's classical and jazz influences, as well as skills in arranging songs, with Bastien's DJ/production experience and penchant for hip hop has resulted in a great sound. It goes to show that individual differences are important within the music world, not just between bands and artists themselves, but even within bands. Out of the relative chaos comes order - in theory. Is that too deep?

Either way, I fully respect and endorse their views on people making music independently. If you want to do it and you feel like you can do it, just do it - if it's good, people will pick up on it and share it (that's not to say it's easy, however). I hope that you've had fun reading this anyway, whoever you are, and I hope that you check TOYS out. Like they said, their EP is coming out in September - it feels like a long time, but we'll be boogying to their sounds soon enough!

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Tuesday, 20 November 2012

TOYS NOISE [NATURAL PLASTIC EP]

It's amazing what you can miss out on when you simply just don't know what you're missing out on - if that makes any sense. Being recommended a song here and there is a good way to keep up with not just new music, but music that people themselves have taken a liking to in recent months, serving a dual purpose. In that way, I have been very quickly and effectively been won over by the sounds of Paris-based TOYS.

Their debut EP, Natural Plastic came out 10th September this year, and featured two original songs, 'Noise' and 'T-O-M', and two remixes of 'Noise'. It's a massively threadbare introduction to some new talent that sounds like it could get very big indeed. Therefore I am waiting with anticipation for something new from TOYS, whenever that may be.

For now, even just 'Noise' will suffice. It's a song with a unique sound that could be listened to any number of times without growing any less fond of it at all. The video for the song is below, and was filmed around the Barbès-Rochechouart Mètro station in Paris - an area that's notoriously rough and that clearly holds some kind of nostalgic meaning for the duo who make up TOYS: Paul Prier and Bastien Doremus. Have a listen.

With a bassline that could have been lifted right out of a dub song, and a beat that naturally locks in with that offbeat bass to create a head-nodding sensation of a track with an unreal groove, 'Noise' is an instant hit from its very beginnings. Add to this the frenetic analogue synth that dips in and out like a bizarre, scratchy, modular fanfare, and you have a very different-sounding song. The vocals, too, like an announcement hold up against these competing sounds wonderfully with a chunky degree of feeling. I can't tire of listening to it, honestly.

The second original of the EP, 'T-O-M', is a much more laid-back affair. It bursts open like an 80s slow-jam, with a get-on-down bassline that gradually gives way to effortless, near-whispering vocals, before a sensual synth solos over the top, making everything sound like the after-disco vibe outside a disco from Streets Of Rage 2 that may never have existed at all. It's all palm trees and neon signs and you can listen to it here.

As for the remixes of 'Noise', you can listen to those below. The first, by Fausto Garraud, turns the original into a galloping deep house number, adding in some extra funk with a constant, rumbling bass. The second, by Sayem, keeps closer to original but speeds it up a little, features a crunchy interlude, makes use of spaces in between sound, before launching into a full-on electro mash in the second half that puts extra meat on the original.

As I said earlier, I am eagerly anticipating more from TOYS after their teasingly short Natural Plastic EP and I hope, after listening to them, so will you be too.

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