Showing posts with label Houndstooth. Show all posts
Showing posts with label Houndstooth. Show all posts

Friday, 25 September 2020

SCINTII — TIMES NEW ROMAN (PALMISTRY REMIX)

⌾ LISTEN TO SCINTII, TIMES NEW ROMAN (PALMISTRY REMIX) ⌾

Firstly an undulating wash of post-trance sound, the static sea of scathing synths and hiss that marks the start of this track feels panoramic, witch house-tinged, maybe, but less pentagrams, more amorphous futuristic mode of transport. This harsh, nebulous swirl becomes the backdrop for a restless scuttle of garage-tinged beats — the propulsion at the heart of Palmistry's remix treatment for 'Times New Roman' by Shanghai-based Scintii.

Leaving its electrified cosmic cloud behind, the track dives into a glimmering shuffle of percussion and gloopy bass, pitched clangs simultaneously rooting it somewhere physical while also darkly ringing in a metaphysical realm, a club night on another plane of existence.

While Scintii's original 'Times New Roman' sees her voice creep amid a lurching forest of synth, Palmistry's reworking fragments the vocal and scatters it like silly putty throughout, adding human — if warped — warmth to its cold, kinetic vessel. The change tempo towards the end is natural, satisfyingly so, like a train slowing for a station, further emphasising the propulsive power of the track as the track draws to a fizzy, ethereal close.


  • πŸ”” This track is out now via Houndstooth. You can stream it and purchase it as your heart desires from this list of services.
  • πŸ”” The original 'Times New Roman' was the result of a recording session with Danny L. Harle. "The main melody came to me while wandering round a shopping mall," Scintii says of the track "but I wasn’t sure what to do with it. Then I had the session with Danny and it just worked with the beat he was making. It really started to become about me feeling sure of myself as a musician and producer, going in a new direction and really being able to maximise my own voice."

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Scintii Internet Presence ☟
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Palmistry Internet Presence ☟
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Thursday, 5 July 2018

🐣 MARQUIS HAWKES — DON'T U FEAT. URSULA RUCKER

Uplifting, yes, but not to the point of euphoria—uplifting from a low-level mood, bringing you out of the darkness, the feeling of looking up at the blinding sun after you've fallen over and grazed your knees or just woken up from a nap and remembered all the things that are making you anxious but then you rationalise. Far from the dancefloor, Marquis Hawkes' track feels more as though it both reflects and alleviates suburban misery. It is a track of small, important victories: dancing won't heal you, but it's fine for now.

Part of that almost solemn feeling of 'Don't U' comes from those skyward synth chords - in the style of a chapel organ, the continuous chords with occasional single note changes feels very organ-like; it suggests something redemptive about this track. The tone of those chords has us pointing ourselves similarly skyward: they're slightly decayed and warm, not too bright but also not dull; the synth – like the track itself – is elegant in its simplicity.

Simple acid synth bass squelches in sparse groove to give this sense of dynamic movement alongside the constant house kicks. Ursula Rucker's star-of-the-show vocals softly pad alongside the incidental gladdening synth chords feeling like a motivational speaker or a pastor telling you what you want to hear—or else they sing in gentle butterfly snippets. Combine that with simple dynamic subtractions and additions, tumbling toms, a handful of simple percussion, teetering on the edge of lo-fi house to deliver an atmospheric, modern-day sermon of a track in the church of dance with an overflowing heart.




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Ursula Rucker Internet Presence ☟
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Marquis Hawkes Internet Presence ☟
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