Tuesday, 10 February 2026

MASAHIRO TAKAHASHI — DREAMIES

In 'Dreamies' we hear an awakening of the world. The slow trickle of water, the unfurling of leaves, the bursting of snowdrops through wet solid soil. It is a soundscape for the thawing of things, a farewell to winter while still on the threshold of its realm, with bare trees sparkling with crystallline fragments of rain.

Created by the Tokyo-born, Toronto-based composer and musician Masahiro Takahashi, the track is our first glimpse of his new album, In Another. For this project Takahashi builds on collaborative approach that characterised his previous album Humid Sun (2023), adding a small orchestra's worth of musicians to enact his creative vision.

The result of this – of his "trading Ableton sequences for lead sheets" – is a rich, full sound evolves with an organic quality of live music, an unseen magic in the air. In this musical mapping 'Dreamies' feels like an aestheticised symphonic tuning up, simple and synthesised to begin with, adding textures and different qualities of sound in a veritable sonic buffet, as if filling out the lines of a painting.

But there is also more than just a nod to the embryonic chamber pop that Brian Wilson brought to life on The Beach Boys' Pet Sounds — the intricacies and chimes and dynamic progressions of 'Let's Go Away For Awhile', for example, and the lavish layers in the final third of 'You Still Believe In Me'. In this regard, Takahashi's own singular vision and vocal additions in 'Dreamies' feel very kindred.



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