Wednesday, 26 May 2021

POSTCARDS — HOME IS SO SAD

⌾ LISTEN TO HOME IS SO SAD BY POSTCARDS ⌾

The mesh of distortion and fuzz that lies over this track by Beirut-based band Postcards creates a fitting aesthetic for its title: 'Home is so Sad'. It's the refrain that runs through the track, voiced by lead singer Julia Sabra like a mantra with descending notes — sadness far removed by time, but present and watchful. A simple melody plays with timeworn wheeze; keeping time are an insistent barrage of decayed drums, regular and metronomic but sometimes (and fittingly) accented to create arrhythmic chaos.

The sound is rooted in real life. The song was one of three the band wrote following the devastating 2020 Beirut explosion, and features poignant lyrics that juxtapose the everyday experiences of the city, of the eponynous "home", with the very un-everyday catastrophic event itself:

"Glass in our coffee / Towels on trees [...]
Soil splattered on the walls like drops of blood."

Completing a considered, slow-motion and dreamlike balance of soft and harsh — sunk in sadness but with the swell and crash of trauama — a guitar wheels like a portent of doom into the scene. Notes screech and clash, buzzing and grinding to and fro with shoegaze grit, while somewhere in the background a light, electronic cloud of sound floats by, like a thought bubble — an ever-present vehicle for visceral memories.



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Postcards Internet Presence ☟
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Monday, 24 May 2021

GRALITSA — MORNING BUSTLE IN THE HOUSE OF INTELLIGENT PEOPLE


What a wonderful noise this is. It’s a frenetic collection of objects thrown together, a series of chaotic collisions, unidentifiable percussion and cartoonish sound effects, that gives Gralitsa’s track its spark. Titled ‘Morning Bustle In The House Of Intelligent People’ (as if that wasn’t enough), this truly is the horror of waking to last night’s detritus, the morning routines, pouring cereal into bowls.

Like a sort of Dadaist folk song, it’s a soundtrack of all the switches and buttons we press, the doors and compartments we open and close, all little noises we make on our way to working our way out of the door, and how we deal with that. A semblance of calm composure wavers behind in the form of wobbling synths, and finally the day begins: chords reverberate out of earshot, resonating onto the street.


  • ๐Ÿ”” Gralitsa’s ‘Morning Bustle In The House Of Intelligent People’ is taken from their album Little Mosquitos Are Sleeping This Night. Stream and purchase it on Bandcamp.

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Gralitsa Internet Presence ☟
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Thursday, 20 May 2021

MATTHIAS GUSSET — FAREWELL


The organ is the original drone and ambient instrument from way back when, let’s be honest. It’s a wonder that it isn’t used in more tracks, as Matthias Gusset has expertly employed it in ‘Farewell’. The track’s chord progression is simple enough, a switching oscillation between two chords, then another, in cyclical rotation from start to finish. This provides a soft backdrop, dim lighting, for the emotive action that follows.

Melodies rise up from the bright drone of ‘Farewell’, at first like birdsong, or the dappled light of the sun twinkling on bough-shaded paths, and then in more prominent, layered stretches, calling out from the grove and its summer flowers and its butterflies a warm, pastoral goodbye.


  • ๐Ÿ”” Taken from Matthias Gusset’s Inbetween Birdsongs, out now on Radicalis, which you can purchase and/or listen to on his Bandcamp.

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Matthias Gusset Internet Presence ☟
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Friday, 30 April 2021

TAMON TAKAHASHI — GHOST OF PROW


⌾ LISTEN TO GHOST OF PROW BY TAMON TAKAHASHI ⌾

There’s a richness to the soundscape at work in Tamon Takahashi’s ‘Ghost of Prow’. A swaying sweep of guitar floats through like the slow swell of the sea, paired with brass that peals and tapers with a stoic lilt — a sombre contrast to the evocative guitar solo that ends the piece. The vocals in the Hokkaido-based artist’s track are a hefty pairing of voices that add organic texture to proceedings, the bass smooth and crooning beneath it all.

Ultimately, with its pendulum-esque rhythm, and lavish, illuminated textures, the bittersweet charm of ‘Ghost of Prow’ illustrates the doomful passing of time with a world-weary sparkle.


  • ๐Ÿ”” Listen to more from Tamon Takahashi over on his Spotify.

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Tamon Takahashi Internet Presence ☟
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ODALIE — LES HYBRES


A robust pizzicato arpeggio picks its way through the aching air of ‘Les Hybres’, a hybrid track by French musicmaker Odalie. Urgency arrives as ticking modular synth chimes in like a clock ticking too quickly through the seconds, the bow now drawing across the strings and giving an extra richness to the track.

It’s not just this difference in organic sounds though, but the subsequent evolution of the track as the synthesiser grows into a many limbed beast, a creature of plasma that tumbles and twists as the cello strains and scratches below. Human and machine, soft and harsh, ‘Les Hybres’ is the exploration of biomechanical creativity.



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Odalie Internet Presence ☟
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