Wednesday, 27 July 2016

FÁBIO CARAMURU – CIGARRA

The releases of Tokyo-based flau records span the distance from Japanese music like the constructivist electronica of CRYSTAL and the constant dreamworlds of cuushe, to the music of artists from all over the world, like Taiwanese cello-guitar-violin ensemble Cicada, with many genres represented in between—and never do they disappoint. It's ever the same with a beautiful new piece called 'Cigarra'.

A mix of natural found-sounds and fluid waxing-and-waning piano-playing, 'Cigarra' is the work of Brazilian pianist and composer Fábio Caramuru. Taken from an upcoming collection of pieces in which Caramuru "speaks" to the fauna of his home country, this particular track is a conversation with the ostensibly whining and screeching of cigarra – meaning cicada in Portuguese. Its violent buzzing, though, feels like a lament here, the piano reflecting brightly and empathising with grave and tumbling tones the constant call of this long-living insect.

Like the the cicada, the piano too seems to be calling out, mimicking its song with a rapid refrain, soaring into flighty introspection at times, and falling to its refrain again by the coda, repeating endlessly with a certain sadness alongside the cicada, into the air, where the music goes to whose ears that will hear it.


  • That collection of pieces is an album called EcoMúsica - conversas de um piano com a fauna brasileira - ("conversations between a piano and the fauna of Brazil") and it will be out on flau on 7th September 2016. Alongside the album opener 'Cigarra', other tracks/animals included are 'Uirapuru' (musician wren), 'Anu-branco' (guira cuckoo), and 'Tuim' (a type of forpus parrot). And you may pre-order it from flau here if you like the sound of that.


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Saturday, 23 July 2016

NEON BUNNY FEAT MARK REDITO – ROOM314

Mark Redito (the artist formerly known as Spazzkid) features on this latest track from South Korean singer and songmaker, Neon Bunny (real name Lim Yoojin). It's called 'Room314' and it probably has nothing to do with this book entitled The Battle for Room 314: My Year of Hope and Despair in a New York City High School, nor anything to do with this film called Room 314 (might do though). It's a towering sweet romance of a track.

As NB alternates between singing softly in Korean and singing in English the touching refrain 'if you like me now it's fine, why don't you stay here with me? / maybe you will like me tomorrow, why don't you stay here with me?', fluttering chords lead into instrumental sections alive and electric with energy, buzzing synth and aching melody playing in these parts where unbridled emotion bursts in waves. Decorations throughout the track include gentle chimes and wonderfully placed dynamic drum fills – the skittering beat, chopped samples of Yoojin's voice, loving chords that fill the last half a minute of the song – little moments where your heart swells with love for the care and attention that's been placed on making this sound as perfect as possible.

Swaying between brooding calm and floods of frenzied feeling, the track reflects in this sonic twoness the nervous trembling and out-of-body vibes that swirl in your body in anticipation of romance, the wild longing, and the unreal moments that fly timelessly afterwards; being on the edge and then tipping over; kinetic human emotion, physical unending passion.




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Wednesday, 20 July 2016

MOON MASK – GONE (IN A MOMENT)

moon mask is the artist formerly known as Ulzzang Pistol, a change that occurred at the end of Ulzzang's finale, the Zoom Lens-released Waste. The Quezon City, Manila-based newly named moon mask is now prepping to release his debut EP under the new moniker, Irreversible, and in the lead-up has dropped the first taster, 'Gone (in a moment)'.

With pinging delayed guitars and staccato steel-pan synth chords painting a electro-tropical backdrop, a strong retro beat beating bouncy time, the whole thing drips in reverb like a hazy, soft-focus watercolour, painting memories tinged with regret, the combination of groove with the bass and beat, the spacey melancholic instrumental and vocals – positive melancholia? – reflects the bittersweet nature of the lyrics and meaning; a blast of pop as pop should be: catchy and meaningful.

mm spoke a little to me via email about song and the EP. "They're based on romantic pursuits I had long ago, written to be more general and relatable to anyone sharing similar experiences," he explained. The song "focuses on the feeling of getting a connection with a stranger at a certain place and all the thoughts that argue in one's head regarding them making the first move or not."

He went on;

"it's a bit pessimistic since the song is saying that there is only but little time and that the person will be gone eventually and even if one does make a move, relationships do end and someone has to leave."


  • The Irreversible EP will be self-released on... date TBA.
  • Co-production on 'Gone (in a moment)' comes from mm's dad, Jun Gomez; mix and mastering by Jorge Juan Wieneke V (aka musicmaker similar objects)


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Sunday, 17 July 2016

DAMACHA – YIYUAN

Tagged "places u went" and called 'yiyuan' presumably after the mountainous 沂源 county in China this is a beautiful new-ish track from Shanghai musicmaker Damacha. It is a sprawling hive of living percussion, luscious rainstick sounds and far-off forest wooden clackings and jangling like lost ghost currency and lots more besides, blending together at first in clattering cocktail of arrhythmia, soon syncing to a pummelling beat, nuanced and free and towering.

Bass surges and rumbles in healthy slices below, propping up these delicacies of sound like time-lapsed hillsides and peaks jutting out newborn forming the rugged earth. Alongside these elastic beat arrangements are gentle bell chimes and plaintive 8-bit melodies, this simple tapestry of synth matching the percussion in all its sparkling illustration, pencilling details and adding ornamentation – a sonic mirror of the drama and gargantuan scale of natural landscapes, of the feeling of being simultaneously tiny yet liberated in the midst of such places, of their simplicity and their complexity; it is a landscape painted with sound.


  • This track is a free download as you can see above.
  • Check out Damacha's half-year-old 3E3240 EP on Bandcamp.


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Wednesday, 6 July 2016

TIM SHIEL – TANGERINE

This tasty morsel is by Tim Shiel; 'Tangerine' is the title of it. Through the clunking clatter of rapid fire percussion samples, banging and clacking and cutting with the additional flare of razor-sharp cymbal, you can instantly imagine this track as a living-and-breathing entity, something played by many people with mostly live instruments; hear the pounding robust 4/4 house thud of the kick drum, the subtleties of the ticking hi-hat. Even the bass feels "real", rumbling and rough-edged, undulating like lungs expanding and contracting.

Add to this the twists and turns of hypnotic reed instrument singing out of the flowing mist of the track, and bouts of intensification, where ghostly breeze synth whirls up and around, thickening the mist, howling with the added jangles of percussion, the raging whirr of the bass chopping through the air; add all this, and hear how it pours from your headphones or speakers, how it fills the air with spirit and passion, and feel how at the same time it is a lifeless wonder, a cold uncaged monster born of circuitry.

It may seem obvious but I revel in it, so let's talk about it anyway: strange, but amazing, how a soul can inhabit a machine, and how something so clearly "electronic" can feel so organic you can practically feel its pulse hot and streaming in your heart.


  • Tim Shiel is from Melbourne, Australia, and aside from making music he also has a radio show called Something More on Double J / triple j.


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